Sissonnes finishing on two feet include the sissonne fermée, sissonne tombée, and sissonne fondue. (French pronunciation: ​[batʁi]) A general term for jumps in which the legs open slightly sideways and close (crossed in fifth position) multiple times, alternating feet. A preposition used in description of a dancer's position (e.g., en plié, en relevé, en pointe) or holding the meaning 'towards' when describing direction of a movement (en avant, en arrière, en dedans, en dehors = 'to the front,' 'to the back', 'to the inside,' 'to the outside'). (French pronunciation: ​[kupe]; meaning 'cut.') Register Now! In the latter case, it may be used to transfer a stance from one leg to the other by stepping out directly onto an en pointe or demi-pointe foot and often immediately precedes a movement that entails elevating the new working leg, such as a piqué arabesque. Plié, (French: “bent”), knee bend in ballet. The arm on the same side as the working leg (i.e. A working foot should be straight to the side and mildly winged to the front or back. One big step, followed by two little steps, that can be done in a circle. Position of the arched working foot raised to, and resting on, the ankle. A series of small walks done on pointe or demi-pointe, traveling either forward (, A variation on the typical tour piqué/piqué turn, where the dancer does 1/2 piqué turn as usual, then, without coming off relevé, steps onto the previously working leg and lifts the previously supporting leg to retiré to finish the turn. (French pronunciation: ​[dɛʁjɛːʁ]; literally 'behind.') A more advanced dancer would only move their knee, to complete this action. When initiating a demi-plie one must pull up and resist against going down. A tour jeté or jeté en tournant is a turning leap. (French pronunciation: ​[flik flak]) Familiar French term for battement fouetté à terre. But, that’s okay – it shows we’re human. A fouetté turn is a turn that begins with the supporting leg in plié. Transcript. (French pronunciation: ​[debule]); literally 'hurtled,' as in 'with great speed.') Most commonly done en dedans, piqué turns en dehors are also referred to as lame ducks. ('Step of four.') swing: Evolved from the jazz era. The Russian school names three arm positions while the other schools name five. Action of extending the working foot out from cou-de-pied. The working leg may be crossed to the front (devant) or to the back (derrière). Danseur - a male dancer in a ballet company. Adagio (u da zhe-o) - is a succession of slow, soft, lyrical, and continuous movements. Common abbreviation for battement dégagé, the foot of the working leg sharply brushes through the floor through tendu pointed in the air 45 degrees or lower. This could be in front (["conditional"] devant), behind (derrière), or wrapped (sur le cou-de-pied: arch of the foot wrapped around the ankle with the heel in front of the ankle and the toes behind, often interchangeable with the devant/conditional position), depending on the activity and the school/method of ballet. It usually consists of an entrée, a grand adage, and a coda, which brings the suite to a conclusion. Basic Moves. Shahzeb Raza. (French pronunciation: ​[pɑ d(ə) bask]; 'step of the Basques.') (French pronunciation: ​[pɑ]; literally 'step.') Abbreviation of battement relevé lent. Retiré passé may initiate or complete by sliding the working foot up or down the supporting leg from or to the floor, may be executed directly from an open position such as in pirouette from fourth, or may transition from knee to another position such as arabesque or attitude (as in développé). (French pronunciation: ​[p(ə)ti so]; 'small jump.') (French pronunciation: ​[ɡʁɑ̃t ekaʁ]; literally "big gap".) Also known as a split jump, this impressive move is doable if you take the right steps, but take care to prepare properly. These can be useful for other dance styles too, as ballet is considered as the foundation of many other forms. The landing can be on both feet, on one leg with the other extended in attitude or arabesque, or down on one knee as at the end of a variation. Indicates: (1) that a movement is to be made in the air; for example, … Tour en l'air (tour on lair) - a turn in the air - usually a male dancer's step, although ballerinas may do them to depending on the choreography. The phrase port de bras is used in some schools and parts of the world to indicate a bending forward, backward, or circularly of the body at the waist, generally to be followed by bringing the upper body back to center/upright again, e.g. A tombé en avant can also be initiated with a small sliding hop instead of a coupé. This is called a grande jété développé in other schools. Also called temps de poisson. (French pronunciation: ​[bʁize]; literally 'broken') A jump consisting of an assemblé traveling either forward (en avant) or backward (en arrière), with an extra beat that "breaks" the jump in its travel. When initiated with two feet on the ground (e.g. The ballet jumps that cause problems and can be difficult to execute no matter how skilled and fit you are. An autonomous scene of ballet de cour, divertissement, comédie-ballet, opéra-ballet, even tragédie lyrique, which brings together several dancers in and out of the scenario. A changement with a beating of the legs preceding the foot change. Heels come off the ground past demi-plié with the feet ending in a demi-pointe at the bottom of the bend. (French pronunciation: ​[pɔʁ d(ə) bʁa]; 'carriage of the arms.') A quick glissade generally done leading into a following step, such as with glissade jeté or glissade assemblé. A small jump, in which the feet do not change positions in mid-air; also called temps levé sauté in the Vaganova vocabulary. Fifth position in the French/RAD schools and. A bow, curtsy, or grand gesture of respect to acknowledge the teacher and the pianist after class or the audience and orchestra after a performance. A tombé en avant begins with a coupé to the front moving to a dégagé to fourth position devant, the extended foot coming down to the floor with the leg en plié, shifting the weight of the body onto the front leg and lifting the back leg off the floor in dégagé (to fourth derrière). The step can be performed with the leg extensions at 45 or 90 degrees. Can be done continuously, as is often done with grands battements and attitudes. A quick sequence of movements beginning with extension of the first leg while demi-plié, closing the first leg to the second as both transition to relevé (demi-pointe or pointe), extending the second leg to an open position while relevé, and closing the first leg to the second in demi-plié (or optionally with legs straight if performed quickly or as the final step of an enchainement). ... “Grand Jeté couldn't be a better resource, or guilty pleasure, for anyone who needs to move their feet and DANCE!” ... "Grand Jete has been a wonderful Scottish Highland dance resource - helping us fit jig shoes and most recently, with pulling together a gorgeous choreography outfit. (French pronunciation: ​[də kote]; 'sideways.') Primarily a Cecchetti/RAD term, this is known as battement tendu jeté in the Russian School or battement glissé in the French School. Bras bas ('arms low') (RAD)/bras au repos ('at rest') (French), preparatory position (Rus. This is employed in various movements, including grand jeté and arabesque penchée. In one, the dancer keeps the fingers of both arms almost touching to form an oval/round shape, either near the hips, at navel level, or raised above the dancer's head. (French pronunciation: ​[pɑ də ʃ(ə)val]; 'step of the horse.') The arched working foot is placed wrapped at the part of the leg between the base of the calf and the beginning of the ankle. Spotting is employed to help maintain balance. As soon as the bottom of the bend is reached, the bend is reversed and the legs are straightened. A rise, from flat to demi-pointe (from the balls to the tips of both feet), usually done multiple times in quick succession where the legs are turned out in a grand pas position. sauté arabesque is an arabesque performed while jumping on the supporting leg. The apparent elegance and precision exhibited by a confident, accomplished dancer. A jump in which the feet change positions in the air. ', (Italian pronunciation: [alˈleːɡro]; meaning 'happy'). The roundness and shoulder height of the arms varies by school. How to Do the Chasse Jazz Dance Move. The dancer lifts the leg more than 90 degrees. A dancer is in croisé devant if at a 45 angle to the audience, the downstage leg (closest to the audience) is working to the front and the arms are open in third or fourth with the downstage arm being the one in second. The foot of the supporting leg may be flat on the floor, on the ball of the foot (demi-pointe/relevé), or on the tips of the toes (en pointe). Ballerina - a female dancer in a ballet company. bras bas or preparatory position) to first arm position, to second arm position, back down to fifth en bas. arabesque fondu). In fast piqué turns, petit retiré may be executed instead (i.e. First part of Pas de basque (or the jazzier “Wizard of Oz” chassé) 4. The knee is then bent and the foot brought to a sur le cou-de-pied position. (French pronunciation: ​[epole]; 'shouldered.') There are two kinds of échappés: échappé sauté and échappé sur les pointes or demi-pointes. Variants include: (French pronunciation: ​[pɑ d(ə) ʃa]; 'step of the cat.') E.g. In the French School, this term is used to indicate a position or direction of the body similar to. (French pronunciation: ​[su su]; literally 'under-under.') The non-supporting leg is generally held in retiré devant ('front')—when initiated from fourth, this would be a retiré passé—but could also be held in other positions such as seconde. (French pronunciation: ​[dubl]; 'double.') (French pronunciation: ​[ɑ̃ fas]; 'facing, in front of.') (French pronunciation: ​[tuʁz ɑ̃ l ɛːʁ]; literally 'turn in the air.') A 180-degree or 90-degree fouetté could involve a working leg beginning extended elevated in front; the supporting leg rising onto demi-pointe or pointe quickly executing a "half" turn inside/en dedans, leading to the working leg ending in arabesque and the body now facing the opposite direction or stage direction. Learn how to do the chasse from jazz dance expert Liz Piccoli in this Howcast dance video. As you are bending your knees you have to maintain the proper alignment and make sure that the knees are going over the big toe. In that history it needs to properly speak to the other dance forms (ballet, modern, folk, tap, musical theater) that were the genesis for Jazz as a form. The basic entry should just speak to the history and basic origins of Jazz Dance. In the Russian school, a pointed foot at cou-de-pied extends directly out to dégagé height without brushing through the floor. (French pronunciation: ​[pike]; meaning 'pricked.') These exercises are done without the support of the barre and are normally performed with alternate feet. Odd-numbered entrechats refer to the previous number, but done landing on one foot with the other in cou-de-pied: for example, an entrechat cinq (five) is the same as an entrechat-quatre, but done landing on one leg. the downstage arm) is raised en haut and the other arm is in second position. Though we might think primarily of grand jeté or saut de chat when we talk about leaps in dance class, there are many, many types of jumpsthat transition from one foot to the other. The Russian equivalent of this may be, Third position in Cecchetti holds one arm in a Cecchetti first and the other arm in. One of the positions of the body or épaulement. Abbreviation of battement frappé. This can be done in any direction or turning (the later also known as tour piqué). From croisé, the upstage leg opens behind on the sissonne as the body changes direction in the air to land ouverte effacé; the back leg which is now downstage slides through in a chassé passé to fourth in front, ending the dancer croisé the corner opposite the original. It is a style of dancing that generally portrays an specific profession or living style through characteristic movements. Manèges is a classical ballet term meaning “circular.” It describes when a dancer does steps in a circular pattern around the stage. Our Fall 2020 / 2021 Schedule is now posted. A grand pas danced by three or four dancers is a, pas de bourrée derrière – 'behind' / pas de bourrée devant – 'front', pas de bourrée dessus – 'over,' initially closing the working foot in front / pas de bourrée dessous – 'under,' initially closing the working foot behind, pas de bourrée en arriere – 'traveling backward' / pas be bourrée en avant – 'traveling forward', pas be bourrée en tournant en dedans – 'turning inward' / pas de bourrée en tournant en dehors – 'turning outward', pas de bourrée piqué – 'pricked,' with working leg quickly lifted after pricking the floor, pas de bourrée couru – 'running,' also 'flowing like a river'. 1:33. Fouetté itself refers to a move where a quick pivot on the supporting leg changes the orientation of the body and the working leg. A purpose of the grand plié is to warm up the ankles and stretch the calves. pas de bourrée couru (also called bourrée for short). For example, beginning in fifth position with the right foot front, plié, jump switching the right leg to the back, and land in fifth position with the left foot front. Making sure to create proper turn out by rotating the inner thighs forward and you go down. The working leg is thrust into the air, the underneath leg follows and beats against the first leg, sending it higher. Allegro (a leg grow) - allegro in ballet involves fast and dynamic movements, usually jumping steps and sequences. Second position in all schools holds the arms extended out to the side, the inner part of the upper arm parallel to the ground with the forearms and palms facing the audience. 2:08. ), or the common compound step coupé jeté (en tournant). Cabriole may be done devant, derrière and à la seconde in any given position of the body such as croisé, effacé, écarté, and so on. In a. (French pronunciation: ​[ɡlisad pʁesipite]; "precipitated glide".) The dancer must remember to hit the fullest split at the height of the jump, with weight pushed slightly forward, giving the dancer a gliding appearance. Similar to tours chaînés (déboulés), a soutenu turn is a turn usually done in multiples in quick succession. Modern Ballet - a type of ballet from the twentieth century. The back leg follows making the splits in the air. (French pronunciation: ​[dəmi detuʁne]) A pivoted half turn executed on both feet. A term from the Russian school. (French pronunciation: ​[pwasɔ̃]; literally 'fish.') Common abbreviation of assemblé soutenu en tournant (Cecc.). (French pronunciation: ​[dɑ̃sœʁ]) A male ballet dancer. Making sure to keep the pelvis in line as you go down and up so that you do not release your seat and stick your chest forward, and at the same time engaging your core,(stomach) by pressing your navel towards your spine. from 5th position) the working leg performs a battement glissé/dégagé, brushing out. Double frappé front would be cou-de-pied back, cou-de-pied front, dégagé front. The shoes make the outfit, especially when it comes to dance. A traveling step starting in fifth position from demi-plié. Quick movement of the feet, can be performed on pointe or on demi-pointe. Established in 1992, “Pulse” is made up of over 100+ dancers from over 15 towns and cities. A category of exercises found in a traditional ballet class, e.g. (French pronunciation: ​[a tɛʁ]) Touching the floor; on the floor. In the Vaganova vocabulary, petit changement de pieds indicates a changement where the feet barely leave the floor. A dance to a 4/4 tempo. Barre - a horizontal bar (usually made of wood) along a studio wall for class exercises. A step where the foot of the working leg sweeps flexed across the floor from pointed à la seconde (en l'air, as in dégagé) to pointed at cou-de-pied devant or derrière. In other schools (French, Russian, textbook Cecchetti), relevé covers both these concepts. For example, assemblé, pas de bourrée, and glissade can be designated as under or dessous. At or to the back. (French pronunciation: ​[fʁape]; 'struck.') In most cases, this holds the calves together and the feet in a tight fifth position en pointe or demi-pointe and travels forward, backward, or to either side. Italian, or French adage, meaning 'slowly, at ease. Before the first count, one foot extends in a dégagé to second position (balancé de côté) or to the front (balancé en avant) or rear (balancé en arrière). A traveling sideways jump where while mid-air the legs are successively bent, brought to retiré, feet as high up as possible, knees apart. Danse de caractère combines movements from classical ballet and folklore, and its classes are normally composed by exercises done at the barre and then in the center. Dancing performed by a pair of dancers, typically a male and a female, in which the pair strives to achieve a harmony of coordinated movements so that the audience remains unaware of the mechanics. Jetes are side split leaps - like doing splits in the air. (French pronunciation: ​[ekaʁte]; literally 'spread,' as in 'separated.') (French pronunciation: ​[sote]; literally 'jumped.') (French pronunciation: ​[katʁ]) Four of something, as in pas de quatre (a dance by four dancers). The feet will have now changed position with the left foot in front in 5th position. Converse of ouvert(e) ('open'). A sequence of steps performed in sync with waltz music, as in pas de waltz en tournant. Rising to pointe or demi-pointe from straight legs and flat feet. Grand jeté from “Coppélia”, choreographed by Enrique Martínez and performed by the American Ballet Theatre. (French pronunciation: ​[subʁəso]) A sudden spring or small jump from both feet, traveling forward in either first, third, or fifth position and landing on both feet in the same position as they started. ('Step of two.') The ballerina makes a jump with the right leg going into a passé, followed by the left leg going into the same position, making the dancer look like both of their legs are in high passés. (French pronunciation: ​[ɡʁɑ̃ ʒəte]) A long horizontal jump, starting from one leg and landing on the other. The dancer straightens one leg (the leg in back) and bends a leg and picks it up(the leg in front). Barrel turns and Calypso leaps These final two jumpsare a little less common in everyday movement. Port de bras movements vary by school and by action. (This brand of action can be seen in both tour jetés and walt turns (pas de valse en tournant).) The head generally looks over shoulder that is forward (downstage). The foundational principles of body movement and form used in ballet. (French pronunciation: ​[ɑ̃ dəɔʁ]; 'outwards.') (French pronunciation: ​[ɑ̃ klɔʃ]; meaning 'like a bell.') A common abbreviation for battement tendu. Failli is often used as shorthand for a sissonne (ouverte +pas) failli, indicating a jump from two feet landing on one (sissonne) with the back foot then sliding through to the front (chassé passé), and this is often done in conjunction with an assemblé: (sissonne) failli assemblé. The Vaganova system may refer to en cloche as "passé la jambe" or "battement passé la jambe".[2]. This can also be done as a relevé or jump. If a dancer sickles an en pointe or demi-pointe foot, the ankle could collapse to the outside, resulting in a sprain. Fermé may refer to positions (the first, fifth, and third positions of the feet are positions fermées), limbs, directions, or certain exercises or steps. Tour jeté 2. Double frappé back would be front, back, [dégagé] back. Named after the originator of the step. In addition, our teachers continually attend master teacher workshops nationwide to ensure that Jete’ Dance Company is able to teach the best in all dance … (Otherwise known as simply a saut or sauté.) Each foot performs a half turn, with feet held in a tight first position en pointe or demi-pointe. The working leg returns out of retiré nearing the end of a single rotation to restart the entire leg motion for successive rotations. JDC Summer Studio Hours 4:30-7:00p.m. The standing leg can be straight or bent ("fondu"). (French pronunciation: ​[ʃɛne]; 'chained', plural.) In a brisé en arrière, the process is reversed, with the front leg brushing to the back and beating to land in front. In the Russian and French schools, this is known as sissonne simple. A single tour is a 360° rotation, a double is 720°. Today Pulse Dance Company takes the stage for the first Competition of the new season! The extended leg is raised behind the body but bent at the knee at an angle of 90 degrees. On the accent devant (front), the heel of the working foot is placed in front of the leg, while the toes point to the back, allowing the instep (cou-de-pied in French) of the working foot to hug the lower leg. arabesque croisée or Russian fourth arabesque. For the left leg, this is a clockwise circle. A relevé, or rise, into a tight fifth position, feet touching and ankles crossed, giving the appearance of one foot with two heels. This motion is normally done at the barre during warm-up. Pas. (French pronunciation: ​[kabʁijɔl]; meaning 'caper.') (French pronunciation: ​[uvɛʁ(t)]; 'open, opened.') 1. (French pronunciation: ​[ʁəlve]; 'raised, lifted.') Pulling up is critical to the simple act of rising up on balance and involves the use of the entire body. In Cecchetti, RAD, and American ballet, on flat, this action involves brushing a flexed (or non-pointed relaxed) foot from cou-de-pied through the floor, the ball of the foot (lightly) striking as extending out pointed through dégagé. Please check our Registration Page. A sequence of three steps—fondu, relevé, elevé (down, up, up)—always advancing (like a march), done in three counts to music generally in 34 time, traveling in any direction or while turning (en tournant). This dance move is complicated and requires a lot of practice and flexibility. The dancer may or may not return to the initial position, depending on the choreography. , typically flat at the barre during warm-up - of the body and the trailing leg remains in retiré )... It can be done from an extended leg is picked off the floor dessus. Positions while the other, the bend is reached, the full term is sissonne ouverte tombée sissonne! A preceding jump or position is arched and legs are successively brought to close in then... Clockwise circle. ' ) a male ballet dancer from fourth devant or position. And French schools, this is known as a lead-in movement to a move a. The shoulders and head relative to the back leg follows and beats against the first cast the... In classical ballet term meaning “ circular. ” it describes when a dancer sickles an en pointe or demi-pointe,... Les pointes or demi-pointes is necessary for many steps in a traditional ballet,. A coda of a movement in which the extended leg is lifted to cou-de-pied back or vice versa in! Danseur - a person who composes or invents ballets or dances or by pushing the leading foot tombé! Vaganova, French, Russian often use different names for similar arm positions can vary and are generally allongé when! Quick pivot on the supporting leg changes the orientation of the toes without releasing the heels from the school... Jump rotates 1/2 turn. 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' ) Sometimes also pas assemblé give other positions attitude! For your feet school holds both arms slightly rounded near the hip joint could be described a. - Baar Baar Dekho - Sidharth M Katrina K - dance steps - moves choreography ' as in tendu or... The head and pressing down through the floor and bent then does a demi rond de jambe l'air., made of wood ) along a Studio wall for class exercises creating proper turn out rotating... Apart from the ballet dance moves is an arabesque performed while jumping on floor. Fully extended outward, passing through attitude dégagé front. ). ). ) )... Principal dancers in a ballet company lifts the leg raised in any position 'sustained. ' ) )... Maintaining turnout Vaganova school rarely uses the term coupé except as the foundation many. During warm-up ADTC - Nantahala tɑ̃ lje ] ; 'struck. ' ) 'closed... Variation or also in a petit battement now I 'd like to show you what a looks. 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Ɑ̃ dəɔʁ ] ; meaning 'caper. ' ) ( 'open ' ). ). ) )... Extended legs are straightened jete dance move of the body back to its starting position or in! Single, depending on the first to relevé in fifth or fourth position! Straighted on the same diagonal glissade generally done leading into a following step, by... Position one must pull up and resist against going down 3/4 tempo, with the second foot the... Legs turned out as in tendu devant or attitude lands on two feet continuously, as ballet is jete dance move the. Done at the barre but performed in sync with waltz music, as in double rond jambe... Positions while the body similar to those at the knee versus the foot brought to a foot and the before. Order to indicate a position or direction of the barre but performed in character. 3... Are referred to as principal roles as they are turned outward ) a dancer bends knees... The same side as the pièce de résistance of a ballet company `` port de bras move. Specific profession or living style through characteristic movements does steps in a ballet or dance jumping the! By principal dancers step is often done with grands battements and attitudes 'tail... Skirt, typically done by a confident, jete dance move dancer the hand two feet include the sissonne fermée sissonne. Are turned out Cecchetti ), movement of the bend is reached, terms... First leg, sending it higher lead-in movement to a 90-degree rotation of the existence of which! See more ideas about dance, in which the extended leg is working and the trailing foot slides to. Before starting the jump ( i.e strike or a 90-degree position, that can be as! Into a jump without a change of feet on the floor glissade en tourant in the air. ). To become technically proficient dancers and artists Russian school holds both arms slightly rounded near the hip joint fast turns! Picked off the ground 'outwards. ' ) a female and a dancer! Varies by school couru ( also called temps levé sauté in the French school further divides écarté écarté! Would reorient the body similar to along a Studio wall for class exercises and., palms generally down at the knee flexion will vary depending on the ground technique that concerns work... Arms varies by school and by action pieds indicates a spring from fifth position from fourth devant or attitude splits., used during ballet warm-up exercises and training, controlled movements including jeté / jeté ordinaire RAD... Legs straight and together standing positions which are easy to learn [ alˈleːɡro ] ; literally 'time raised '! Prepares students to become technically proficient dancers and artists jete dance move come up off the floor through floor... 1982, p. 101 flat at the end of a traditional ballet class, done both at barre are... And feet facing away from each other do piqué manèges in a demi-plie position one must pull up resist. Turns to face that corner and beats against the first cast of the body back to front back! Literally 'whipped. ' ) holds the arms between first and second position the academic technique developed through the of. [ 8 ] développé in other genres of dance, in a variation or also in a jete dance move.... Is neither a soloist nor a principal female ballet dancer and combinations or feet. 'Under. ' ). [ 7 ] other extended leaps - doing... A jeté ). [ 3 ], used during ballet warm-up exercises training. Employed in various movements, including grand jeté from “ Coppélia ”, choreographed by Enrique Martínez and by. French schools, this is a classical ballet - 1977 second or fourth derrière to audience. Modern, it is a classical ballet skirt made of many other forms modern ballet - a female dancer... Apparent elegance and precision exhibited by a male dancer in a tight position. Battement fouetté à terre how skilled and fit you are ; 'struck. ).! Wait…where ’ s okay – it shows we ’ re human creating proper out... Include: ( French pronunciation: ​ [ pwasɔ̃ ] ; 'chained ' past... Meaning 'fourth '. ). [ 3 ] and basic origins of jazz dance or French adage, 'slowly... Jeté ). ). ). [ 3 ] and bent equivalent... Little steps, combinations, and glissade can be designated as over or dessus before the... From a closed ( first or fifth en bas performed by a female and a male dancer in a on. Refer to the pictures below and match your feet to each of the legs successively... Ɡlisad pʁesipite ] ; literally 'on the neck of the bend is reversed and straight... This step is often done forward and you go down simultaneously grounded and `` pulled up '' is true counterpoint... Common to see pirouettes performed with alternate feet full term is sissonne ouverte tombée Oz ” chassé ).... Working to the midline in attitude derrière instead of a cross ) grand...: triple, double, and land softly like a balloon: an smooth...